Kings Speech Weitere Serien und Filme
Öffentliche Reden zählen zu den verhassten Pflichten von Prinz Albert, denn der Sohn des britischen Königs George V. leidet seit frühester Kindheit an einer Sprechstörung. Weder Psychologen noch sonstige Spezialisten konnten sein schweres Stottern. The King's Speech ist eine britische Filmbiografie des Regisseurs Tom Hooper aus dem Jahre , in der Colin Firth den britischen König Georg VI. darstellt. The King's Speech – Die Rede des Königs. Prinz Albert. Bei einer öffentlichen Rede kommt Prinz Albert ins Stottern und blamiert sich bis auf. After the death of his father, King George V and the scandalous abdication of King Edward VIII, Bertie who has suffered from a debilitating speech impediment all. The King's Speech – Die Rede des Königs. 1 Std. 58 hoskassurans.se der Kritik gelobte Filme. In einer Zeit politischer Spannungen hat König Georg VI. mit seiner.
The King's Speech. GB, USA, AUS, Drama. Als George VI. Englands neuer König wird, lastet ein ungeheurer Druck auf den. The King's Speech – Die Rede des Königs. 1 Std. 58 hoskassurans.se der Kritik gelobte Filme. In einer Zeit politischer Spannungen hat König Georg VI. mit seiner. The King's Speech - Die Rede des Königs ein Film von Tom Hooper mit Colin Firth, Helena Bonham Carter. Inhaltsangabe: Der britische Königssohn Bertie. The King's Speech. GB, USA, AUS, Drama. Als George VI. Englands neuer König wird, lastet ein ungeheurer Druck auf den. The King's Speech - Die Rede des Königs ein Film von Tom Hooper mit Colin Firth, Helena Bonham Carter. Inhaltsangabe: Der britische Königssohn Bertie. The King's Speech - Die Rede des Königs. Montag, Mai , bis 05 Uhr. Öffentliche Reden zählen zu den verhassten Pflichten von Prinz Albert. Prince Albert, Duke of York, leidet seit der Kindheit an einem starken Stottern, das ihn besonders bei öffentlichen Auftritten behindert. Heimlich sucht er Hilfe bei. Doch schon kurz darauf entwickelt sich eine vorsichtige Freundschaft zwischen den ungleichen Männern und der geplagte Adelsmann erzielt erste Erfolge. User folgen Follower Lies die Kritiken. Von Tom Hooper. Guter Film - OK. Visa-Nummer nicki minaj. Colin Firth muss den Oscar bekommen! Colin Firth ist ein überragender Schauspieler. Ich verstehe den Hype um den Film click at this page.
His stammer means he can hardly get a word out, and the nation cringes with embarrassment. His formidable father, played by Michael Gambon with England's gruffest beard, makes clear to him that this is a new media age.
It's not just a matter of looking frightfully regal on a horse, the monarch has to be able to master the radio microphone.
Spectacle must not be replaced by dead air. This is where Lionel Logue comes in — a bullish Australian with bohemian manners and shabby premises on Harley Street.
He is a failed actor who is everywhere patronised as a colonial, especially by the toffee-nosed English theatrical types for whom he still hopefully auditions.
We see him trying out for an amateur company by doing Richard III's "winter of our discontent" soliloquy.
Too obvious? In his script, Seidler creates sharp exchanges as Logue fearlessly barges through the pompous royal formality that's all part of the problem, cheerfully deriding his previous medical advisers: "They're all idiots!
Meanwhile, the abdication means poor, stuttering Bertie has to shoulder the ultimate burden while "Herr Hitler" is whipping up the stormclouds of war.
The nation needs a king who can rally the forces of good in a clear, inspiring voice. This programme is not currently available on BBC iPlayer.
Show more. Show less. Last on. Sun 3 May Music Played. Fri 31 Aug Fri 30 Aug Mon 2 Sep Featured in Delivering the King's Speech.
Related Links. By format: Films. Elland Road was used for the speech elements of the prince stammering his way through his first public address, and Odsal Stadium was selected because of the resemblance of its curved ends to Wembley Stadium in They filled the terraces with inflatable dummies and over extras dressed in period costumes.
Live actors were interspersed to give the impression of a crowd. Additional people, as well as more ranks of soldiers on the pitch, were added in post-production with visual effects.
His sister, Kate Firth , also a professional voice coach to actors, proposed exercises the King might have done with Logue, and made suggestions on how to imagine Logue's mix of physical and psychological coaching for the film.
In addition, Firth watched archive footage of the King speaking. In an interview with Allan Tyrer published by the British Stammering Association , Swain said: "[It] was very interesting while we were working on the film just to think tonally how far we could go and should go with the strength of George's stammer.
I think a less courageous director than Tom [Hooper] — and indeed a less courageous actor than Colin [Firth] — might have felt the need to slightly sanitise the degree and authenticity of that stammer, and I'm really really pleased that neither of them did.
You find yourself doing it and if I start thinking about it the worse it gets. The film's original score was composed by Alexandre Desplat.
In a film about a man struggling to articulate himself, Desplat was wary of overshadowing the dramaturgy: "This is a film about the sound of the voice.
Music has to deal with that. Music has to deal with silence. Music has to deal with time. The minimalist approach emphasises the protagonist's struggle for control.
The music rises to a climax in the coronation scene. Hooper originally wanted to film the scene without music, but Desplat argued that it was the real climax of the story—the point when the friendship was ratified by their decision to trust each other.
To create a dated sound, the score was recorded on old microphones extracted from the EMI archives which had been specially made for the royal family.
When Desplat later joined the team to write the music, he praised and defended Anwar's suggestion. Hooper further remarked that the stature of the piece helps elevate the status of the speech to a public event.
The score also won a Grammy at the 54th Grammy Awards. All tracks are written by Alexandre Desplat , except where noted. Hooper employed a number of cinematic techniques to evoke the King's feelings of constriction.
He and cinematographer Danny Cohen used wider than normal lenses to photograph the film, typically 14mm, 18mm, 21mm, 25mm and 27mm, where the subtle distortion of the picture helps to convey the King's discomfort.
Roger Ebert noted that the majority of the film was shot indoors, where oblong sets, corridors, and small spaces manifest constriction and tightness, in contrast to the usual emphasis on sweep and majesty in historical dramas.
Hooper widened his scope first to capture Rush's gestures, then full body movements and silhouettes.
The approach carried over to Firth as well. In the first consultation scene, the Duke is squeezed against the end of a long couch framed against a large wall, "as if to use the arm of the sofa as a kind of friend, as a security blanket?
At other times, the camera was positioned very close to the actors to catch the emotion in their faces: "If you put a lens 6 inches from somebody's face, you get more emotion than if you're on a long lens 20 feet away," Cohen said in an interview.
Historical dramas traditionally tend to use "soft light", but Hooper wanted to use a harsher glare, which gives a more contemporary feel, and thus a greater emotional resonance.
To achieve the effect, the lighting team erected huge blackout tents over the Georgian buildings and used large lights filtered through Egyptian cotton.
Several events in the film did not happen, or were exaggerated. The visual blog Information is Beautiful deduced that, while taking creative licence into account, the film was The filmmakers not only tightened the chronology of the events to just a few years but even shifted the timeline of treatment.
The Duke of York actually began working with Logue in October , ten years before the abdication crisis , and the improvement in his speech was apparent in months rather than years as suggested by the film.
I give it every evening at dinner on board. This does not worry me any more. Robert Logue, a grandson of Lionel, doubted the film's depiction of the speech therapist, stating "I don't think he ever swore in front of the King and he certainly never called him 'Bertie'".
Hugo Vickers, an adviser on the film, agreed that the alteration of historical details to preserve the essence of the dramatic story was sometimes necessary.
The high-ranking officials, for instance, would not have been present when the King made his speech, nor would Churchill have been involved at any level, "but the average viewer knows who Churchill is; he doesn't know who Lord Halifax and Sir Samuel Hoare are.
Hitchens and Chotiner also challenged the film's portrayal of Winston Churchill's role in the abdication crisis.
In a smart, well-made film "would the true story not have been fractionally more interesting for the audience? Martin Filler acknowledged that the film legitimately used artistic licence to make valid dramatic points, such as in the probably imagined scene when George V lectures his son on the importance of broadcasting.
Filler cautions that George VI would never have tolerated Logue addressing him casually, nor swearing, and the King almost certainly would have understood a newsreel of Hitler speaking in German.
Filler makes the larger point that both the King and his wife were, in reality, lukewarm towards Churchill because of the latter's support for his brother during the abdication crisis.
It was distributed by Wild Bunch Distribution. The film was initially given a 15 certificate by the British Board of Film Classification , due to a minute-long scene where Logue encourages the King to shout profanities, which he could do without stuttering.
At the London Film Festival, Hooper criticised the decision, questioning how the board could certify the film "15" for bad language but allow films such as Salt and Casino Royale to have "12A" ratings, despite their graphic torture scenes.
Following Hooper's criticism, the board lowered the rating to "12A", allowing children under 12 years of age to see the film if they are accompanied by an adult.
In January Harvey Weinstein , the executive producer and distributor, said he was considering having the film re-edited to remove some profanity, so that it would receive a lower classification and reach a larger audience.
Helena Bonham Carter also defended the film, saying, "[The film] is not violent. It's full of humanity and wit.
In Great Britain and Ireland , the film was the highest earning film on its opening weekend. It holds the record for the highest per-cinema gross of The executive director of Palace Cinemas , Benjamin Zeccola, said customer feedback on the film was spectacular.
I think this is more successful than Slumdog Millionaire and a more uplifting film. It's a good example of a film that started out in the independent cinemas and then spread to the mainstream cinemas.
The remaining profit was to be split equally between the producers and the equity investors. In March Variety estimated that the return could be between fifteen and twenty times that.
The Council's merger into the British Film Institute means that the profits were to be returned to that body.
The King's Speech has received widespread critical acclaim, with Firth's performance receiving universal praise.
The website's critical consensus reads: "Colin Firth gives a masterful performance in The King's Speech , a predictable but stylishly produced and rousing period drama.
Manohla Dargis , whilst generally ambivalent towards the film, called the lead performances one of its principal attractions.
Firth and Mr. Rush rise to the acting occasion by twinkling and growling as their characters warily circle each other before settling into the therapeutic swing of things and unknowingly preparing for the big speech that partly gives the film its title," she wrote.
The British Stammering Association welcomed the release of The King's Speech , congratulating the film makers on their "realistic depiction of the frustration and the fear of speaking faced by people who stammer on a daily basis.
It said that, though the film swept British appeasement under the carpet, it was still enjoyable. The Sun newspaper reported she had watched the film in a private screening at Sandringham House.
A palace source described her reaction as being "touched by a moving portrayal of her father". The film had received 12 Oscar nominations, more than any other film in that year.
The film won no other Golden Globes, despite earning seven nominations, more than any other film. From Wikipedia, the free encyclopedia.
This article is about the film. For the stage play based on the film, see The King's Speech play. For other uses, see King's speech.
British cinema release poster. Momentum Pictures The Weinstein Company. United Kingdom  Australia  United States.
Alexandre Desplat. As the actor of the year in the film of the year, I can't think of enough adjectives to praise Firth properly.
The King's Speech has left me speechless. Main article: List of awards and nominations received by The King's Speech. British Board of Film Classification.
Archived from the original on 2 March Retrieved 17 September British Film Institute. Retrieved 13 June BBC News.
Retrieved 28 February The Guardian. Box Office Mojo. Retrieved 20 May Retrieved 2 March